Interdisciplinary Studies in Musicology 7

Contributors From the Editors

MACIEJ JABŁOŃSKI (Poznań) PIOTR PODLIPNIAK (Poznań)
Music as a Medium of Communication. Two Visions of Musicology

LUDWIK BIELAWSKI (Warszawa)
Music and Art - Levels of Communication

SYLWIA MAKOMASKA (Warszawa) ANDRZEJ RAKOWSKI (Warszawa, Poznań) Absolute Pitch and Its Significance in the System of Musical Communication

PIOTR DAHLIG (Warszawa)
Hearing and Obedience in Traditional Cultures as a Condition for Transcendent Communication

BOGUMIŁA MIKA (Katowice)
Reception of Music as a Cultural Process

ANNA CZEKANOWSKA (Warszawa)
At the Foundations of Musical Metaphor: Models of Nature or Abstractly Presented Symbols

EWA SCHREIBER (Poznań)
On Analytical Listening in the Context of Metaphoric Imagination

KRZYSZTOF GUCZALSKI (Kraków)
How Music Combines with Words?

BOŻENA MUSZKALSKA (Poznań, Wrocław) To Converse in Song with the Infinite JAROSŁAW MIANOWSKI (Poznań)
On Three Paradigms of Emotional Communication in Music

ANNA KOSZEWSKA (Poznań)
Communication versus Value. On Two Places of the Interpretation of Music

ALINA MĽDRY (Poznań)
The Relationship between Notation and Performance in the Keyboard Compositions of ?. P. E. Bach. A Composer s Specific Attempt to Communicate with Performers and Listeners

JAKUB KASPERSKI (Poznań)
French Requiems from the Years 1877-1963 as Thanatological Communication

MARCIN GMYS (Poznań)
Arnold Böcklin s Im Spiel der Wellen as Interpreted in Music by Composers Ludomir Różycki and Max Reger. A Contribution to the Theory and History of Musical Ekphrasis

MARCIN TRZĘSIOK (Katowice)
Claude Debussy. A Grammar of Imagination

JUSTYNA HUMIĘCKA-JAKUBOWSKA (Poznań)
Mental Representations of Tonal Images in Twentieth-Century Sonoristic Compositions

ADRIANA GAŁDYŃSKA-MAZAN (Poznań)
Jerzy Grotowski s Idea of an Actor s or Performer s Inner Action